Determined to learn more about phrenology and test her hypothesis that the shape of a person’s skull can determine whether or not they will commit a crime, Dorothea Truelove regularly visits prisoners at Oakgate Prison. Ruth Butterham is the youngest murderess Dorothea has visited, who offers an alternative theory: She claims her crimes are caused by a supernatural power in her sewing. Is Ruth mad, or a murderer?
The Corset is undoubtedly dark, but not a horror like The Silent Companions. Instead, it is more of a murder mystery story with supernatural vibes. The narrative is told through the perspective of both Dorothea and Ruth, as Ruth explains her story and Dorothea tries to get to the bottom of things. The two women come from very different backgrounds, with very different outlooks, and complement each other exceptionally well. The writing is a joy to read, with each woman’s voice clearly distinct and well-developed.
I found this book compelling, original and unpredictable, but not particularly creepy (which would be totally fine, if it wasn’t marketed as “chilling”). It also felt slightly too long at times. I’m not sure that I could pull out specific parts of the story and label them as unnecessary, but there were moments where things started to drag and I felt myself rushing to reach the end.
I have seen other readers complain that The Corset includes too many characters, but I personally didn’t fell that this was a problem. Yes, there is a reasonably large cast, but Dorothea and Ruth really hold the story and the rest, even those who play a big role, fade into the background a little. That could sound like a criticism, but it isn’t. I found this book incredibly easy to read and didn’t find myself worrying about other characters in the slightest.
I received a copy of this book from the publisher via NetGalley in exchange for an honest review.